Second Street Gallery is pleased to present Her Deeds, an exhibition of mixed media works and installation by Richmond, Virginia-based artist Mariana Parisca and collaborators Larí García, agustine zegers, Christine Buckley, Sandy Williams IV, and Paul van den Bijgaart, held in the Main Gallery from December 2, 2022 -January 21, 2023.

Read press about the exhibition in Artishock HERE and The Cavalier Daily HERE.

Mariana Parisca
Double Slit Experiment
(detail), 2022 
Charcoal, gelatin, plaster, pigment, silicone

Quitar los ídolos y poner las imágenes. Quitar los ídolos y poner las imágenes. El descuartizamiento de las imágenes a manos del ídolo encarnado. El ocultamiento imaginario de las imágenes de los ídolos” 

“Take away the idols and replace them with images. Take away the idols and replace them with images. The dismemberment of the images in the hand of the incarnated idol. The imaginary concealment of the images of the idols.” 

–Juan Cárdenas in Ornámento

Exhibition statement (courtesy of the artist):

It has been said that her deeds were hidden in a papaya fruit. Maria Guevara – one of the many figures entrapped into a perpetual state of scarcity by recounted stories. This work is for these figures. 

An early disavowal of sacred powers within the realm of matter clears a path for inculpable extraction. Can it be the thing itself, not only  a representation? Must it be immaculate? Can miracles have physical explanations? Are those two mutually exclusive when dealing with femme erotics?  

For a moment I look at the Virgen de Guadalupe, up at the top of the cerro overlooking Bogota. She has crumbled twice to the shifting of the earth. But they keep building her whole. She is said to look over the city . If that’s so, why is there so much “insecurity”? Is it really life she watches over in that form with a vigilant ojó, or is it this particular division of lands and their goods? 

This exhibition is a prayer for the powers misnamed as weakness
to forget roman romance 
to remember how to value 
to be able to stay in the land
to remember to love them
to be with them in beautiful bodies

Mariana Parisca and Larí García
Sinverguenza
(detail), 2022
12 minute video

Mariana Parisca
Viscous Illusion Incorporation
(detail), 2022
Steel, Venezuelan Bolivars, United States Dollars, palm leaves, chewing gum wrappers

Mariana Parisca
100,000 Bolivar Legs, 2021 
Digital collage printed on aluminum 
12 x 18 inches

Mariana Parisca (she/they) is an interdisciplinary visual artist and educator from the USA and Venezuela. She creates sculptures, installations, videos, performances, and printed matter that question and redefine the social abstractions and belief systems that shape value, resource distribution, and consumption in the Americas.

Parisca received an MFA in Sculpture + Extended Media department at Virginia Commonwealth University and a BFA in Studio Art and Anthropology from Washington University in St. Louis. Parisca’s work has shown at CUE Art Foundation, New York, NY, documenta fifteen, Kassel, Germany, Mas Allá, Bogota, Colombia, Rudimento in Quito, Ecuador, NARS Foundation in New York City, NY, the New Wight Biennial in Los Angeles, CA, the Virginia Museum of History and Culture, Anderson Gallery, and Cherry Gallery in Richmond, VA, the Virginia MOCA in Virginia Beach, VA, Bruno David Gallery, St. Louis, MO, and New Works Gallery in Chicago, IL among others. Mariana has received various awards including an Emergency Grant from the Foundation for Contemporary Arts, The Tribble Grant, the Eliot Scholarship, and the Paul F. Miller Scholarship. They have been artist in residence at Atlantic Center for the Arts, Nave Proyecto, Vermont Studio Center, Visual Arts Center in Richmond, VA, and Studio Two Three. They currently teach sculpture at George Mason University and University of Richmond.

This exhibition is a Season 49 Call for Submissions pick and is generously sponsored by The Andy Warhol Foundation for the Visual Arts, the Virginia Commission for the Arts, the National Endowment for the Arts, and Crutchfield.

Installation photography courtesy of Stacey Evans Photography

Mariana Parisca and Sandy Williams IV
AMA A LA MAMÁ/ PRAISE YOUR MOTHER, 2021
LED lights
13 x 126 inches / 13 x 172 inches

Mariana Parisca
Double Slit Experiment,
2022 
Charcoal, gelatin, plaster, pigment, silicone

Mariana Parisca and Sandy Williams IV
AMA A LA MAMÁ/ PRAISE YOUR MOTHER, 2021
LED lights
13 x 126 inches / 13 x 172 inches