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Second Street Gallery is pleased to present On Belonging: The Space In Between, a solo exhibition by LaRissa Rogers, held in the Dové Gallery from Sept 3 - Sept 24, 2021.

On Tuesday, September 17 at 6PM EST, Second Street Gallery hosted a virtual artist panel discussion with Jackie Amézquita, John Hee Taek Chae, LaRissa Rogers, and Luis Vasquez La Roche, on LaRissa Rogers' solo exhibition. Watch the artist talk HERE.

LaRissa Rogers’ On Belonging: The Space In Between punctuates the importance of place, belonging, and care through excavating the hidden histories embedded in the land as a means of regeneration, possibility, and growth. Rogers builds installations that pay homage to the interconnected histories in the soil and land from which they are created, in order to explore the dual nature of flight and migration as a means of survival and self-preservation, speaking particularly to diasporic resilience.

As a first-generation Afro-Asian woman who recently relocated from the East to the West coast, Rogers relates personally to the dislocation and unfamiliarity of the self as connected to any one particular place or history. She delves into the nature and complexity of her Blackness by addressing ideas of hybridity, authenticity, and visibility as an Afro-Asian woman.

Pushing away from colonized notions of land as possession or indigeneity, Rogers explores the processes of movement as a practice Black and Brown people have used to conceptualize place, belonging, and cohabitation. Through our relationship with the Earth, this dislocation can be nurtured, as migration refuses hierarchies of possession and ecology. The ephemeral and transformative nature of these sculptures confronts temporality as outside of linear chronology, to assert that rest, regeneration, and cultivation are titular to progression. 

In relation to core samples as the root of the Earth, the layers of the soil slabs and stratification of the sugar represent the components of the histories and shared experiences that our society is built upon. Rogers juxtaposes a myriad of imagery within her work--historical, personal, and current day events--to relate not only duality of identity and hybridity of our histories, but also the similarities of past and present societal structures such as the plantation system, sports, capitalism, patriarchy, commodification, and labor. The proximity of this imagery draws micro- and macro-parallels in the cyclical effect of the personal, relating to and affecting the larger world experience. As slavery's ongoing past continues to inform the present, her work recontextualizes these histories to articulate ideas surrounding identity, race, care, resistance, and resilience.

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Installation images courtesy of Stacy Evans Photography.

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LaRissa Rogers (b. 1996) is an antidisciplinary artist born in Charlottesville, VA. She holds a BFA in Painting and Printmaking and BIS in International Fashion Buying from Virginia Commonwealth University. She has exhibited work and performed in institutions such as ICOSA in Austin TX, Fields Projects in NY, Welcome Gallery in Charlottesville VA, Target Gallery in Alexandria VA, 1708 Gallery in Richmond VA, Second Street Gallery in Charlottesville VA, The Bridge Progressive Arts Initiative in Charlottesville VA, W Doha in Qatar, The Fronte Arte Cultura in San Ysidro CA and the Museum of Contemporary Art in Virginia Beach VA. She is the 2020-2021 Graduate Opportunity Fellow at the University of California Los Angeles, the 2021 Sutton-Wallace Family Fellow at New City Arts, and the 2021-2022 VMFA Visual Arts fellow at the Virginia Museum of Fine Arts. She is currently pursuing her MFA in New Genres at the University of California Los Angeles and will be attending BEMIS Center of Contemporary Art Residency in Summer 2022.